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Hace unas semanas se estrenó la tercera parte de Men in Black 3 en las salas de cine mundialmente. La primera se estrenó en 1997 y causó furor por sus efectos especiales y un guión bastante inventivo, que la hizo ser una perfecta mezcla perfecta entre comedia y extraterrestres.
Está dirigida por Barry Sonnenfeld y protagonizada nuevamente por Will Smith el el papel principal como el agente J, Tommy Lee Jones como el agente K y Josh Brolin como el agente K en su juventud.
Los efectos visuales son extraordinarios y los encontramos durante toda la película; ya sea en lo referido a los muchos alienígenas que vemos en el film, como a los distintos vehículos que utilizan los protagonistas, recreaciones de sucesos históricos (el lanzamiento del Apollo XI esta genial) y un gran salto al futuro. De hecho fueron 1,214 escenas con efectos especiales, de éstas, 650 fueron creados por Imageworks de Sony Pictures
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. Las demás estuvieron a cargo de Method Studios, Prime Focus, EFilm y Cantina Creative.
La mayoría de los aliens de la película tienen un look retro de los años 60 y fueron diseñados por Rick Baker.
Ken Ralston y Jay Redd de Imageworks fueron los supervisores de efectos visuales.
Imageworks utilizó el software de Maya para la animación y Nuke para la composición.
La película se filmó en cine para después ser convertida en 3D por la compañía Prime Focus.
Algunos detalles de los efectos visuales:
Cuando Will Smith salta del Edificio de Chrysler, la única parte real del actor es su cabeza, su cuerpo es creado por computadora al igual que la simulación de su ropa moviéndose con el viento.
Durante toda la película se mezcla diferentes técnicas de efectos para hacer que la escena funcione. Tal es el caso de la cabeza del villano Boris, en donde Rick Baker utiliza efectos de maquillaje y encima se utilizan efectos digitales.
Imageworks trabajó en la construcción digital del Estadio Shea, una persecución por Brooklyn y Queens en motocicleta en donde los personajes eran dobles digitales y en la recreación digital de todo el Centro Espacial Kenedy y del lanzamiento del Apolo 11 en 1969.
Rick Baker, el maestro en efectos de maquillaje, en el set de Columbia Pictures.